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Netflix, Starz Battle Ends with Netflix Down Disney and Sony Content on February 28, 2012

Netflix, Starz Battle Ends with Netflix Down Disney and Sony Content on February 28, 2012 | 40Tech

Recently, Netflix angered a large amount of its US subscriber-base by announcing changes to its pricing model. It used to be that, if you wanted to do the Neflix videos-by-mail thing and stream content as well, it would only cost you an extra couple of bucks per month. Now (as of two days ago, in fact), if you want both, you need to pay double — $7.99 for each service. While the Netflix move may be understandable, and part of a potentially larger plan to phase out physical delivery altogether, the customer backlash was also unsurprising — and significant.

To make matters worse for Netflix, on the very day that the new pricing came into effect, Starz, the distributor of Sony and Disney content decided not to renew their contract with Netflix. This is probably going to hurt Netflix customer relationships even more, but believe it or not, it happened as a result of Netflix attempting to preserve their pricing model, and, presumably, to keep their customers from imploding.

Netflix has been doing well, business-wise, of late. They opened up content streaming in Canada — which I use all the time, even though we don’t get the coolest content up this way — and they have plans for world internet-streaming domination that could be very viable. Unfortunately, their content and entire business is dependent on their relationship with content license owners. Starz Entertainment apparently insisted that Netflix put their content behind an additional pay-wall, making customers pay more to access it. Netflix offered them in excess of $300 million per year for the content, but that wasn’t good enough for Big Media, who initially asked for more than 10 times what Netflix paid them in 2008, according to the Wall Street Journal.

In a press release, Starz cited the usual spiel regarding “protecting the premium nature” of their brand and “preserving the appropriate pricing” of their “exclusive and valuable content.” The bottom line here, however, is that Starz holds all of the cards here. Disney and Sony content is good content. It is sought after. In a statement to Business Insider, Netflix CEO Reed Hastings maintains that it only marks 8% of their overall audience views, and that the content would have likely gone down to 5-6% of domestic views by Q1 2012 anyway, but as we all know, it takes less than 8% of pissed off people who perceive that they’ve lost something they felt they paid for to make 80%-sized noise about it.

One also has to wonder if other Big Media groups will follow Starz lead. To many of them, Netflix is likely more of an experiment that they tolerate to see if it will pay out big in the long run. Now that the dollars are coming in, naturally, they are going to want a bigger cut — one that makes them feel more like they are returning to their original business model that made them a money hand over fist — you know, before the advent of broadband and the explosion of extremely easy content piracy.

Speaking of piracy… it has been proven that consumers, by and large, are willing to pay a subscription price for content. If they weren’t, Netflix would never work; neither would Hulu Plus, Rdio, Sirius, pay-to-play MMORPGs, or any of the other premium-based multimedia providers out there. However, those prices need to be reflective of the general feel of pricing online — pricing that Apple was the baseline for with iTunes and apps taking over the online world as we know it. That is to say, the pricing needs to be low-ish. If all of the major license holders start clamouring “premium subscriptions for our content or else,” Netflix and their sizeable customer base will be threatened. When a media consuming customer base is threatened, they jump ship — and they have a tendency to land in a submarine that stealths its way into a dialect punctuated with “yo ho ho’s” and the occasional “Aaargh!” Not to beat the pirate metaphor to death or anything…

So what do you think of Starz demands for a Netflix pay-wall for their content? What about their decision to pull out? Should Netflix have given in?


Some Good, Some Bad in FCC Ruling that Allows Hollywood to Mess With Your Gear

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We don’t often cover news stories here at 40Tech, but this one bears mentioning.  A recent FCC decision [PDF file from FCC site] now allows the movie industry to disable analog outputs on your equipment in certain situations.  Say what?  Yes, you heard that right- in some cases, a content provider can reach in and mess with your gear.

This started back in 2003, and an FCC ruling concerning Selectable Output Control (SoC).  SoC is what the MPAA wants to use to close the analog hole, by disabling outputs that don’t support HDCP.  Previously, such conduct was prohibited.

Under the FCC ruling, a movie that has never been released on DVD or Blu-ray can be restricted for 90 days, by using SoC to disable the analog outputs on your gear.  As some have pointed out, this isn’t all bad, because the content in question would be content that isn’t currently available, so those with analog gear won’t be missing anything that is currently available.

What is the practical effect of this?  It really has three ramifications, two of which are bad.  First, owners of older equipment without HDMI ports might be unable to get some of this new content.  Second, all owners will be unable to make backups of this new type of purchased content, as the analog hole will be closed (some articles solely discuss streaming or on demand content, but it is hard to imagine that the industry won’t try to sell you movies, too, leaving you at their mercy to save it on their system).  Third, if you have a newer television, you may get access to new content.

Is this a good thing?  Does the ability to get new releases, earlier, offset the control the movie industry will be able to exert over your gear?

 

Photo by RocketRaccoon


2 Ways to Get TV on Your iPhone – Slingplayer vs. OrbLive

snapshot-1266538933.455875Have you ever wondered what it would be like if you could use your iPhone to watch the same television stations that you watch on your television at home?  Wonder no more, for television on your iPhone is a reality, with the right setup.  Today we’re going to look at two methods for getting all of your television stations on your iPhone – Slingplayer and OrbLive.  The first method, Slingplayer, works anywhere that you have a data connection (3G or via WiFi), while OrbLive only works via WiFi but also works over 3G and WiFi and can be cheaper.  (Updated on 2/24/10 to reflect that an OrbLive update has appeared in the App Store, restoring 3G functionality). Both methods require a piece of hardware.  Read on for details. Read more


5 Critical Reasons to Root Against Comcast’s Online Television

comcasthulu Over at Technologizer, Harry McCracken recently contemplated whether Comcast’s On Demand Online service was reason enough to stick with Comcast, if you are considering dropping your television service.   On Demand Online is a Hulu-like service still in development that, once released, will allow Comcast subscribers to view shows and other content online.  There are at least five reasons to root against Comcast’s On Demand Online.  Even if Comcast isn’t your provider, or you live in a country with different online TV options, some of these reasons should apply to you, too.

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5 tech gadgets your wife will love

scannerMany of you have spouses who love tech just as much as you do.  That’s not always the case, though.  Some of you are in a relationship with a somone who just doesn’t understand your fascination with shiny toys.  It doesn’t have to be that way, as there are some tech items that even non-tech geeks can love.  Read on after the break for five of them.

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